| Pink Slip - Live at the L. A. Knitting Factory Text and photos by Sandra T. Molina |
The Knitting Factory - April 9, 2006
The seven month period between their last show and this one
did not diminish the energy that Pink Slip is known for displaying
onstage. In fact, the layoff could’ve been beneficial since the
band, led by lead singer Heatherton and lead guitarist Brian
Adamson, ripped into a fiery, more punk than pop set.
Performing their irresistible brand of power pop tunes, Pink Slip
commanded the stage with a vibrant, manic energy that
captivated its appreciative audience. The total affect of the show
may have come in part because of the new rhythm section,
drummer Jay Morgan and bassist Joel Martin, and guitarist Mark
Lacosse accompanying Heatherton and Adamson.
There was an extra punch in the songs that was lacking in some
of the previous incarnations of the band. Heatherton, with her
purely intoxicating vocals – at once sweet yet throaty – and
engaging stage presence, propelled the band into a whirl of
pop majesty. From “Party Favor” to “Suck It Up,” Pink Slip
encompassed what a band should be – entertaining, fearless
and damn good. For more information on Pink Slip’s next show
or to purchase their music, visit www.pinksliprocks.com.
The seven month period between their last show and this one
did not diminish the energy that Pink Slip is known for displaying
onstage. In fact, the layoff could’ve been beneficial since the
band, led by lead singer Heatherton and lead guitarist Brian
Adamson, ripped into a fiery, more punk than pop set.
Performing their irresistible brand of power pop tunes, Pink Slip
commanded the stage with a vibrant, manic energy that
captivated its appreciative audience. The total affect of the show
may have come in part because of the new rhythm section,
drummer Jay Morgan and bassist Joel Martin, and guitarist Mark
Lacosse accompanying Heatherton and Adamson.
There was an extra punch in the songs that was lacking in some
of the previous incarnations of the band. Heatherton, with her
purely intoxicating vocals – at once sweet yet throaty – and
engaging stage presence, propelled the band into a whirl of
pop majesty. From “Party Favor” to “Suck It Up,” Pink Slip
encompassed what a band should be – entertaining, fearless
and damn good. For more information on Pink Slip’s next show
or to purchase their music, visit www.pinksliprocks.com.
| Tim Fagan - Live at L. A's Hotel Café Text and photos by Sandra T. Molina |
Hotel Café - March 26, 2006
One would be hard pressed to find a more engaging
performer than singer-songwriter Tim Fagan, and he
proved that at this show opening with what has to be the
catchiest tune around “Soldiers,” off of his latest CD Out
of The Dark. Fagan, easily captured the audience’s
attention, with graceful guitar licks and the sweetest-
sounding vocals this side of James Taylor.
Fagan was accompanied by bassist David Lane and
drummer Voyce McGinley and worked through a set that
included songs from both Out of The Dark and Whirlpool
interspersing charming chatter about the songs and his
new-found admiration for MySpace. A cheer from the crowd
seemed to indicate that a good portion of them knew Fagan’
s work through the ever growing Web site. In fact, Fagan,
who also played keyboard sand a tongue-in-cheek ditty
about the virtues of MySpace, which seemed a favorite of
the crowd.
But of course, the true focal point of the evening was the
music. The trio’s performance of “Happy” and “Deeper,” a
song co-written by John Mayer displayed not only Fagan’s
writing ability but his musicianship. He has a low-key, but
riveting playing style that mesmerizes. The set ended much
too soon, but it’s not a bad thing to leave an audience
wanting more. If you want more than the typical, oh aren’t
we cool up on stage attitude, and just want to enjoy good
music, catch Fagan at one of his upcoming shows.
Visit Tim's website for more information. www.timfagan.com
One would be hard pressed to find a more engaging
performer than singer-songwriter Tim Fagan, and he
proved that at this show opening with what has to be the
catchiest tune around “Soldiers,” off of his latest CD Out
of The Dark. Fagan, easily captured the audience’s
attention, with graceful guitar licks and the sweetest-
sounding vocals this side of James Taylor.
Fagan was accompanied by bassist David Lane and
drummer Voyce McGinley and worked through a set that
included songs from both Out of The Dark and Whirlpool
interspersing charming chatter about the songs and his
new-found admiration for MySpace. A cheer from the crowd
seemed to indicate that a good portion of them knew Fagan’
s work through the ever growing Web site. In fact, Fagan,
who also played keyboard sand a tongue-in-cheek ditty
about the virtues of MySpace, which seemed a favorite of
the crowd.
But of course, the true focal point of the evening was the
music. The trio’s performance of “Happy” and “Deeper,” a
song co-written by John Mayer displayed not only Fagan’s
writing ability but his musicianship. He has a low-key, but
riveting playing style that mesmerizes. The set ended much
too soon, but it’s not a bad thing to leave an audience
wanting more. If you want more than the typical, oh aren’t
we cool up on stage attitude, and just want to enjoy good
music, catch Fagan at one of his upcoming shows.
Visit Tim's website for more information. www.timfagan.com
| Deena Rubinson - Live at L. A's Genghis Cohen Text & Photos by Sandra T. Molina |
Genghis Cohen - April 20, 2006
Singer/songwriter Deena Rubinson played tunes from her
just-released CD, Goodbye Cinderella, in front of a warm
and receptive crowd that she held enthralled throughout the
all too short set. Backed by a full band of gifted musicians
and singers – backup vocalist Zadra Rose Ibanez, Cellist
Mike Rainey, drummer Damon Pipitone and guitarist/backup
vocalist Kim Kopp – Rubinson successfully made her way
through her set with a warmth and zeal that completely
suited the smart, catchy songs.
Highlights included “36 Hours,” “And Then There Was You,”
“Lately” and of course “Goodbye Cinderella.” The songs,
which are at once heartfelt, wry and sentimental, are a true
testament to her talent not only as a performer but a
wonderful storyteller. And the audience appreciated it.
The loudest applause came during “Goodbye Cinderella,”
as she sang the brilliantly satirical lyrics – “What good is it
to run with one shoe when no one is following you?”
Rubinson’s petite frame belies the force of her stage
presence and the force of her voice and the strength of her
words that resonate with everyone that believes in the
human spirit but is firmly planted in the reality of life’s
missteps. For more information on where you can see
Deena Rubinson and buy her CD,
visit www.deenarubinson.com.
Singer/songwriter Deena Rubinson played tunes from her
just-released CD, Goodbye Cinderella, in front of a warm
and receptive crowd that she held enthralled throughout the
all too short set. Backed by a full band of gifted musicians
and singers – backup vocalist Zadra Rose Ibanez, Cellist
Mike Rainey, drummer Damon Pipitone and guitarist/backup
vocalist Kim Kopp – Rubinson successfully made her way
through her set with a warmth and zeal that completely
suited the smart, catchy songs.
Highlights included “36 Hours,” “And Then There Was You,”
“Lately” and of course “Goodbye Cinderella.” The songs,
which are at once heartfelt, wry and sentimental, are a true
testament to her talent not only as a performer but a
wonderful storyteller. And the audience appreciated it.
The loudest applause came during “Goodbye Cinderella,”
as she sang the brilliantly satirical lyrics – “What good is it
to run with one shoe when no one is following you?”
Rubinson’s petite frame belies the force of her stage
presence and the force of her voice and the strength of her
words that resonate with everyone that believes in the
human spirit but is firmly planted in the reality of life’s
missteps. For more information on where you can see
Deena Rubinson and buy her CD,
visit www.deenarubinson.com.
| New Day Mile Live at Cranes in San Diego - Early 2006 By Jeffery Seaman |
Editor's Note:
Somewhere along the line this review got lost in E-mail Hell. My apologies to the band and to Jeff Seimans.
Unfortunately, there are no band photo's from their performance at Crane's, but hopefully New Day Mile
might be able to supply a couple of band photos which can be added to this review.
Somewhere along the line this review got lost in E-mail Hell. My apologies to the band and to Jeff Seimans.
Unfortunately, there are no band photo's from their performance at Crane's, but hopefully New Day Mile
might be able to supply a couple of band photos which can be added to this review.
New Day Mile (NDM) is a male trio with both local and international flair. Lead guitarist and singer James
Brady projects notable positive energy as he belts out the semi-hard rock sound of this yearling group.
Bass guitarist, Steve Kerrin... keeps the low tonals in time, while being the straight man to the colorful and
clownish antics of Brady. The full blown guardian of the beat, Frank Dolan presents an undeniable beat that
pounds the chest from across the room.
They maintained this positive energy level throughout their performances. Cane's, a San Diego club where
900 people can be packed in for a performance, had somewhat light attendance for a Wednesday night gig
with only 30 to 40 in attendance for NDM’s 25 minute set which included 5 songs from the groups repertoire.
This trio is a solid band with great potential and this observer hopes to see more of them.
For more information regarding New Day Mile please check out their web site: http://www.newdaymile.com/
Brady projects notable positive energy as he belts out the semi-hard rock sound of this yearling group.
Bass guitarist, Steve Kerrin... keeps the low tonals in time, while being the straight man to the colorful and
clownish antics of Brady. The full blown guardian of the beat, Frank Dolan presents an undeniable beat that
pounds the chest from across the room.
They maintained this positive energy level throughout their performances. Cane's, a San Diego club where
900 people can be packed in for a performance, had somewhat light attendance for a Wednesday night gig
with only 30 to 40 in attendance for NDM’s 25 minute set which included 5 songs from the groups repertoire.
This trio is a solid band with great potential and this observer hopes to see more of them.
For more information regarding New Day Mile please check out their web site: http://www.newdaymile.com/
©Indietude.com 2006
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